(download book)

It is widely believed that the moon landing was faked with the assistance of film director Stanley Kubrick, who practically admitted to it within the subtext and cryptic symbolism of the movie The Shining.  

His posthumously released movie Eyes Wide Shut gave the viewers a peek behind the curtains of the world stage. This movie came close to unmasking the greatest of all deceptions itself: the existence of two separate worlds: one of the initiated and one of the blind and blissfully ignorant.  

What’s revealed is that within these secret societies behind the scenes, nobody is who they are in the outside world.  

Many there are wearing these very bizarre and grotesque Venetian masks. Demonic is an adjective that comes to mind. 

Now here’s where the story ties in with Kubrick’s role in the moon landing hoaxes with the International Space Station.  

Eyes Wide Shut stars Tom Cruise. He spent lots of time with Kubrick. This movie was released, at Kubrick’s insistence, on the 30th anniversary of the Apollo 11 landing. The Shining referenced Apollo 11 in numerous ways, such as, “A11 work and no play makes Jack a dull boy,” a phrase famously typed by the author portrayed by Jack Nicholson, had clearly transposed two’ l’s with ‘1’s.  

This connects to “room 237” or the “moon room,” another oblique reference to the staged moon landing. “All work no play” was a statement coming from Stanley, meaning that he did it all for the money and that he would kill to preserve the secret.

Now let’s look closer at Tom Cruise: actor, producer, stuntman, Scientologist, and someone very well embedded in the entertainment complex. Thirty-three years after Top Gun, he announced Maverick, the sequel, and his intention to go to the International Space Station. As of now, he has forty-two movies to his credit. And he divorced each of his wives when they reached the age of thirty-three. These numbers, as you’ll see, integrate this character deeper into the drama of the International Space Station and its impending fall.

His connection to Scientology is pertinent as its founder, L Ron Hubbard, was at ground zero of NASA’s inception. Hubbard and Jack Parsons (America’s Aleister Crowley counterpart) were having orgies with an actress named Majorie Cameron, whom they worshiped as “Babalon.” She was chosen specifically for her scarlet red hair, among other attributes.

Now getting to the demons:  

Many observant viewers of the International Space Station live feeds have noted peculiar faces reflected in the surfaces of computer tablets worn by the astronauts. These reflections bear striking resemblances to the masked characters in Eyes Wide Shut. This led to speculation about demons in the International Space Station among some. Others, myself included, explain these as reflections of those behind the “4th wall” of the simulated spacecraft. And yes, weirdly, they wear the familiar creepy Venitian-style masks.  

This makes the connection here that the masks represent the people behind that fourth wall and Kubrick, and therefore, the moon landing.   

Kubrick, in his role as technical advisor, would no doubt have worked with others in the deception of the century who would have been masked to protect their identity. This is one possible explanation.   

Tom Cruise would have spent time with Stanley in order to learn some insider tips on how to make it work. Because, after all, Apollo 11 did fool the world. It makes sense that Cruise, who’s about to go to the I.S.S., probably had that in mind quite some time ago and wanted to go to the master faker himself.

Again, Kubrick did admit to faking the moon landing in The Shining. Albeit, in a very esoteric way, but that he put it in his movie is very blatantly undeniably. One can choose to ignore it, to choose to walk around with their “eyes wide shut.” Most readers of this book have already stopped self-gaslighting and moved past the debate around it.  

The moon landing was faked. There’s no secret space program where they did it “for real.” 

Now, the significance of an actress playing the role of a priestess in an occult ritual with the rocket engineer Jack Parsons needs to be emphasized. Movie magic is the theatre of the world church. Religions all have their theatre, their ritual, their plays. So too does the modern world’s true dominant religion: Scientism. 

Its theatre takes place in movie theatres rather than houses of worship. It must also be reiterated that it is movie magic, not science, that landed Man on the moon. Tom Cruise being a movie star is significant as he’s personally connected to Scientology’s late founder as well as the late Stanley Kubrick. 

I’ve analyzed most of these celebrity idols because I know that they’re actually just there for the N.W.O. church to inculcate you with its values. The space program represents the ultimate in ideological subversion.

I’m suggesting they have deliberately shown us the faces of those behind the fourth wall, and they’ve revealed it a number of times accidentally. For example, we have seen scuba divers reflected in the visors of the astronauts doing spacewalks. Scuba divers! 

If you ask the experts, they can assure you your eyes deceived you. “Trust me and my certifications.” 

And so, if that doesn’t work for you, you’re kind of left with the uncomfortable notion that NASA is engaged in some type of magic trickery and playing mind games. Whatever they’re doing, it is happening, and whatever they tell you, your eyes are seeing it. And this is where the eyes wide shut facet comes into it. Who do you believe? Your own eyes or their explanations?

When I look at people with their masks today, I know the majority are pretty much if they’re believers in the efficacy of them. They think that the pandemic’s real and that contradicting the M.S.M. medical advice is “unscientific.” Moreover, they believe that discussing mistrust of the authorities on the matter is inherently dangerous for society. As though doubt carries the disease.

The symbol of the mask worn by the secret society in Kubrick’s film is being adopted by all. The mask is a deceiver. It conceals the identity of its wearer, sure, but is this the meaning that he had in mind?

The reason why secret societies have the masks is that what they’re doing would be mutually incriminating, and they don’t speak of their involvement. We often see them holding a finger up over their lips, covering their mouth in the ubiquitous silence gesture.

In this new society-wide cult, our breath is toxic. Our words are toxic, and we need to allow the priesthood to regulate our speech. It’s all symbolic. 

The mask is both a medical device and it’s symbolic of not speaking. Think of the vows of silence, oaths of celibacy (social distancing) practiced by devoted spiritualists. The mask and the personal protective equipment symbolize holiness. 

Sterility is the new holy. 

Holy water has been replaced by hand sanitizer in this new cult. We are not to speak out against the contradictions we see. Our eyes are wide shut.

The hush sign is one the most common symbols or signs that we see because it’s a cult of not snitching on each other. I also find it plausible that the open eyes over a closed or covered mouth could symbolize the “eyes” of the subconscious, which sees all but says nothing. Perhaps this is a reference to our collective programming via film and mass media.

Tom Cruise’s involvement in the International Space Station after being in a movie about an occult secret society makes all the more sense considering Scientology and L Ron Hubbard’s association with a literal demon conjurer Jack Parsons.

Look to the genesis of NASA and the concept of outer space as we understand it, and you’ll see rocket scientist and occultist Jack Parsons, Scientology space religion’s future founder, and you’ll find an area where science fiction, fiction, and science blur together with a ceremonial black magick in plain sight.  

Also note: Tom Cruise’s original Maverick fighter pilot helmet from Top Gun was a customized U.S. Navy issue Gentex H.G.U. 33. Again, the significance here is the number 33, to the initiates, represents a number of things, and these symbols are used in conjunction and interchangeably: 

The Phoenix, Christ, the Burning Man, Dying/ Resurrecting Sun Kings.

Top Gun’s sequel’s trailer drops 33 years after the classic where he wore the H.G.U. 33 helmet. And the astronauts all wear the OMEGA Speedmaster Skywalker X-33 Chronograph watches. This is all symbolic. Why is it on the helmet for this top gun? Why is it that after 33 years, the top gun pilots now go into the International Space Station?

The I.S.S. = ISIS. The goddess of the night sky. 

Jack Parsons and L. Ron Hubbard were practicing the rites of the O.T.O., the Order Templi Orientis, in which they refer to Isis as Babalon (spelled Babalon, not Babylon). The ritual theatre that Jack Parsons performed years ago with Majorie Cameron was intended to summon, not incarnate, the “Antichrist.” Through a sex magick rite called “The Babalon Working,” they supposedly accomplished this. 

The rocket is a symbol for the obelisk or shaft of Bel. SpaceX is literally “Space sex.” Space is heaven or higher states of consciousness. When one awakens their third eye, it is said the fire snake rises up the 33 vertebrae of the spine.

It is a fact that NASA has been performing ritual theater for this world-spanning sex magic cult from their beginning. When I hear, “Wow, we got an actor going up to the space station.” I answer, “What do you mean? Neil Armstrong was an actor, if not a Russian agent. He is likely the same actor that played the first man in space, Yuri Gagarin. 

(Yes, the first man in space became the first man on the moon. So it shouldn’t surprise us that we have a real quote actor going to the International Space Station).  

Now here’s something else just to throw in. Tom Cruise stars in Vanilla Sky, which contains significant symbolism that points to his upcoming world-stage performance on the I.S.S. 

Now the movie becomes real.

The storyline in Vanilla Sky is here between Tom Cruise and Penelope Cruz. Her name is Sophia, very symbolic, as this is another Goddess name. In this case, she’s the embodiment of wisdom. Another significant character is one played by Cameron Diaz. Cameron Crowe directed this film, and again “Cameron” refers to “Babalon,” the scarlet-haired woman and the night sky.

Tom Cruise (Thomas means “twin” and Cruise = cross in my estimation, twin cross = resurrection) plays the heir of a company that produces a magazine called “Rise.” He dies at 33 when Cameron Diaz drives their car off a bridge. Cameron = Babalon, so this is predicting the fall of the I.S.S. with Tom Cruise (Major Tom) inside.   

He then rises from the dead after three days to live eternally in this cyberspace dream world into which he was uploaded. 19 years before Covid19 cleared the streets, and 33 days after 9/11/01, Vanilla Sky opened at #1 at the box office in the United States when it was first presented on December 14, 2001

It starts off where he’s running through the empty streets of New York. Time’s Square is empty. At the time, it was compared to post 9-11 America. He even jumps out of the tower at the end. But the main point here: a 33-year old dies and is resurrected in a Gnostic context where he’s made into a Christ-like figure. So is it Tom Cruise or Cross? In the film, he purchases this Life Extension from a red-headed woman. This is another reference to Majorie Cameron. He ascends to a very high building and then FALLS from the vanilla-colored skies in order to be born again.  

Tom Cruise, Penelope Cruz, Cameron Diaz, and Cameron Crowe; these names have some interesting meanings when you look at the broader screenplay—the world-stage’s Meta-Script. 

The faked moon landing is the greatest achievement in cinema. It cemented the existence of outer space and gave tangible proof to back all of the establishment sciences claims. 

Tom Cruise/ Tom Cross is the Scientology Jesus Christ and is going to ensure that Man’s eyes remain wide shut for another half-century. It’s the ultimate ritual of black magic: a deliberate deception intended to maintain a false worldview. Tom Cruise is, therefore, a way of referencing a double-cross; the first crossbar represents the death, and the second cross the resurrection of Jesus Christ. 

Demons on the I.S.S.? Absolutely. The same demons behind Hollywood and the corporate media. But wait, it gets better. Stanley Kubrick’s involvement in the grand deception goes much deeper. 

There are the tie-ins between Stanley Kubrick’s films, J.F.K.’s assassination, The Apollo 11 Hoax, the faked deaths of J.F.K. Jr. and Carolyn Jeanne Bessette-Kennedy, the events of 9/11/01, the outbreak of coronavirus in 2020, and what may come next. I suspect Kubrick, or the think-tank he represents, also pre-scripted Donald J Trump’s administration and Qanon, who is believed to be J.F.K. Jr. by most of “Q” s followers.

Here are some examples of what I mean: 

  1. Dr. Strangelove: original screening was scheduled for 11/22/1963. It has a sequence that foreshadows the Flight 77 attack on the Pentagon.
  2. The Shining: Foreshadows 9/11/01 twice and the moon landings more than twice. 

a) The twin girls represent the Twin Towers. Danny speeds his tricycle toward them before the scene cuts to the twins dead, cut in their midsections, on the ground. 

b) Then, they stand beside a Bell phone booth while Danny is throwing darts. One, this emphasizes the use of projectiles, and two, there is a Bell building adjacent to the Twin Towers.

  1. The infamous typewriter scene alludes to Apollo 11 in the font used for Jack Nicholson to type “A11 work and no play makes Jack a dull boy” proverb repeatedly. ROOM No 237, anagrammatically the “moon room” in the hotel, is a reference to the moon’s staging area, as the moon was believed to be 237,000 miles away in 1969. 
  2. Danny wears an Apollo 11 sweater and reenacts the launch in a scene containing obvious allusions to Cape Canaveral.
  3. 2001: A Space Odyssey has a matching monolith in the form of the Millenium Hilton at Ground Zero, built to resemble the monolith from the movie. The monoliths also reappeared in 2020. The movie has a scene with world leaders discussing a pandemic as a cover story given to the public with Heywood Floyd, a top official with a U.S. agency modeled on NASA. Kubrick foreshadowed the age of A.I. generated fake news. Even HAL9000, or I.B.M. (each letter one removed, H=I, A=B, and L=M). Floyd congratulates colleagues for maintaining this ruse, stressing the need for absolute secrecy to prevent the masses from worrying about invading E.T.s. “It should not be difficult for all of you to realize the potential for cultural shock and social disorientation contained in the present situation if the facts were prematurely and suddenly made public without adequate preparation and conditioning.” 
  4. This, along with the eclipse and very pronounced solar corona at the initial monolith scene, ties 2001: A Space Odyssey to 2020.
  5. Another iconic scene, a spacecraft landing aboard the twin-cylinder space station, is highly reminiscent of the airplane hitting the South Tower on 9/11/01. This space station tie-in refers back to Tom Cruise, his role in Eyes Wide Shut, his relationship with Stanley Kubrick, and his upcoming role in a movie filmed aboard the International Space Station in 2021. 

2021 happens to be the 42nd year since Skylab fell. Tom Cruise has completed 42 movies, by the way. The coincidences are so thorough and overlapping that the implication is clear. 

The connections here point to a consistent Burning Man ritual performed by NASA at every major advance in the Space Program:

  1. Jack Parsons exploded in a laboratory explosion on June 17, 1952. (PRECEDED FIRST MAN IN SPACE)
  2. Yuri Gagarin burned to death in a “mysterious” explosion in 1968. (PRECEDED FIRST MAN ON MOON)
  3. Three Apollo 1 astronauts burned to death in an explosion. January 27, 1967 (PRECEDED SHUTTLE PROGRAM)
  4. Seven Challenger astronauts burned to death. January 28, 1986. (PRECEDED THE INTERNATIONAL SPACE STATION)
  5. Space Shuttle Columbia broke apart on February 1, 2003, while re-entering the Earth’s atmosphere, killing all seven crew members.

See the pattern? Alongside major leaps in space travel, there are sacrifices. I suspect that before the Age of Mars commences, the I.S.S. will come down in flames. 

There’s more: Tom Cruise and the 33s.

He divorced three of his wives when they reached 33.

He played the 33-year old who fell from the Vanilla Sky

33 Years from Top Gun to Maverick

Space Odyssey and September 11 were 33 years apart

His relationships with Scientology, L. Ron Hubbard, and Stanley Kubrick give us a better picture of who and what Tom Cruise is on the world stage, and the significance of his future role in what is unironically being described as “the first movie in space.”

It’s noteworthy too that the Russian space agency is planning to compete with a movie of their own, called “The Challenge.” 

The Challenger is always destroyed. That’s the hidden meaning of the names of the space shuttles according to William Cooper’s writings:

 “A Colombian Enterprise to Endeavor for the Discovery of Atlantis… and all Challengers shall be destroyed,”

Cooper believed it’s the symbolic language of the Illuminati. This is the Metascriptural meaning. He was correct. 

The Sun is the Challenger that is destroyed; then, he is reborn. That’s the cycle of the Sun and his heroic personifications. The hero played by Tom Cruise is a personification of our main hero, the Sun, who conquers the darkness that we may live.  

Is defeating the darkness an impossible mission? Is Major Tom going to become The Man Who Fell To Earth as the Tower of Babel falls? 


In terms of the symbolism implicit in the architecture, the International Space Station is to be regarded as a continuation of the Twin Towers. There are several ways this correlation can be established. First, the film 2001: A Space Odyssey created the symbolic link through predictive programming, linking it to one of the most memorable and shocking moments of 9/11/01: Flight 175’s impact with the south tower. 

Within the Metascript, the International Space Station is to be considered an extension of the World Trade Center Towers. Its role is encoded into the story and can be discerned through its architecture. First let’s examine one of the strong indicators that New York City is the modern equivalent of Babylon in the big script.

There’s a cathedral that figures prominently in an apocalyptic script we are living in. It happens to be the largest cathedral in the world: The Cathedral of St. John the Divine. 

It features architecture inspired by the apocalypse; for example, on Amsterdam Avenue in Manhattan, on the exterior stonework of the cathedral, there is a dramatic “End of Days” display complete with the Twin Towers toppling over. 

It looks like a tsunami at Ground Zero. 

Finally, and most relevant: it came out long before September 11, 2001. British artist Simon Verity carved the Gothic-influenced sculptures between 1988 to 1997. 

This is an example of how New York City has been portrayed on the world stage for this present age as Babylon The Great, as mentioned in the Book of Revelation. Babylon, the city that suffers destruction at the hand of God: 

“’Fallen, fallen is Babylon the great!’ (Rev. 18:2).

So this is where it connects to the space station: the World Trade Centers symbolized a uniting Tower of Babel. But the space station itself, as indicated in its name, is international and unites all of the world in a common mission. Their common language would also be the Internet, as it connects the whole world. The world is cooperating in a mission that is to go from the earth to the heavens.

Biblically, the tower was against God’s plan, according to the Biblical accounts. 

If you’ve been paying attention, you know that the space station is a deep fake; it’s a government-directed propaganda reality television show and a great deception. This is one reason why the flat earth topic is not treated as harmless conspiratainment. 

Now consider the language here since we’re discussing ritual and magick. 

“Babylon the “fallen.”

The International Space Station represents the goddess of the night sky, ISIS. ISS and ISIS are close visually and phonetically. The New Age name for the goddess, according to Jack Parsons and company, is Babalon (a deliberate misspelling of Babylon).

It could potentially fall as a precursor to the next phase of the big agenda. This is one of the things the Metascript has constantly been alluding to.

It’s had mysterious leaks. An astronaut recently butt-dialed “911” in a seemingly harmless story, but the inference is clear: a Space 9-11 event is bring set up in the narrative. 

As to its architecture, when you look at the solar array, and I’ve remarked on this before, they do have a very curious resemblance to the faces of the World Trade Center towers. Given Kubrick’s visual foreshadowing of 9/11/01 with 2001: A Space Odyssey, it follows the pattern here too: if you were to take the solar array on each side and fold them together at right angles, forming rectangles, you would find recreations of the twin towers up there in space.  This is all very significant architecture. 

It’s very significant, too, because the solar arrays are LIGHT gathering panels. The light gives it the power to communicate with the ground below.

This correlates to the Ground Zero Tribute in Light installation, consisting of 88 spotlights, creating twin columns of light which represent the twin towers as they shine up vertically into space. 

Also noteworthy, as the attacks of 9/11/01 were being carried out, NASA astronaut Frank Culbertson was reading A Sum of All Fears by Tom Clancy, published in 1991, which happened to foreshadow the 9/11/01 style attacks by ten years. Culbertson put down the book and recorded the smoking towers. Later that day, hilariously, he played taps in the trumpet he had conveniently brought up to the space station. This is kind of an odd choice for entertainment. A trumpet, within the close quarters of that living environment, would seem to be a disruptive influence with people working, sleeping, and doing science ninety-three minutes a day.  

Again,  we’re calling New York City Babylon; the Twin Towers and the International Space Station represent the Tower of Babel. These are template stores, myths inculcated into the modern zeitgeist. Again, I would refer to N.O.A.A., pronounced “Noah,” the National Oceanic and Atmospheric Association, to demonstrate how much of our worldview is an updated version of something archaic, not scientific. Noah warns of the floods if man doesn’t change his wicked ways and N.O.A.A. does the same, only wickedness has been rebranded as carbon emissions. Both are represented by the symbol of a dove over the floodwaters: 

Here’s something related and comes off as a macabre joke: a Korean skyscraper design evoked exploding twin towers back in 2011. People are taken aback. They thought it evoked New York’s world trade center towers in a mid explosion. The Dutch firm apologized.

Yongsan Dreamhub:

As much, if not more, of the metascript that is communicated in movies, is communicated in architecture. I don’t think these are accidental resemblances.

There was a controversial building design in South Korea called the Yongsan Dreamhub. It consisted of twin towers reaching into the heavens. To emphasize this concept, the design included a cloud design halfway up, consisting of several floors bridged together connecting the towers. So from a design standpoint, it looked like two towers above the cloudline. 

It’s like an H, as the clouds make the two into one. It was considered to be in poor taste. And they specified that no, this symbolizes that the towers reach into the heavens and that they’re above the cloud line. This reiterates my point about Stanley Kubrick foreshadowing 9/11/01 in 2001: A Space Odyssey. Just as the visual foreshadowing is unmistakable, so too was this proposed building’s design unmistakably similar to the 9/11/01 attacks. The symbolic links are all too apparent. 

Here is the Millenium Hilton New York Downtown hotel at Ground Zero:

This was designed to resemble the monolith from 2001: A Space Odyssey. Also, note the Hilton logo has a subliminal “Twin Tower being struck by a plane” design:

For reference, here is Kubrick’s representation of a spacecraft arriving at the space station, and you can see the unmistakable resemblance to the plane  hitting the south tower:

Note too the design on Hillary Clinton’s logo:

Now, look at Melania Trump’s dress worn for a September 11th memorial event:

Speaking of the Trumps, by the way, after the twin towers fell, there was a plan to replace them with a single tower called the World Trade Center Phoenix. What they went with was the One World Trade Center, which officially opened in Manhattan on November 3, 2014. That date has very specific significance in the 9/11 and Coronavirus predictive programming. Its spire reaches 1776 feet. This number has a few meanings here: May 1, 1776, Adam Weishaupt founded the secret society of the Illuminati. Numerologically, 1776 references a Second Coming, another Christ/ Phoenix symbol. In Christian numerology, the number 888 represents Jesus; 888 + 888 = 1776. Therefore Jesus’ return, or the phoenix rising, would be 1776 following. 

The date November the 3rd is significant, and references to it pertaining to the End of the World, doomsdays, and related themes: 

  • 11/3/17 is the date that Apple released their iPhone X (“I, phoenix”). 
  • It’s also the birthdate of Colin Kaepernick, who is 33 as of 11/3/2020. 
  • 11/3/1906 is the year that SOS was established as an international distress signal.
  • 11/3 is mentioned in Ingersol Lockwood’s book in the first paragraph as a Tuesday during a contested election. “That was a terrible night for the great City of New York—the night of Tuesday, November 3rd, 1896. The city staggered under the blow like a huge ocean liner which plunges, full speed, with terrific crash into a mighty iceberg, and recoils shattered and trembling like an aspen. The people were gathered, light-hearted and confident, at the evening meal, when the news burst upon them. It was like a thunder bolt out of an azure sky: “Altgeld holds Illinois hard and fast in the Democratic line. This elects Bryan President of the United States!””
  • The number 113, or even 1 min and 13 seconds, often reiterate this meaning. The Challenger exploded at 1 min and 13 seconds. 
  • Directive A113 in Pixar’s Wall-E “Operation Cleanup had failed and that Earth could never be habitable again.”
  • The date July 13th is 113 days from 11/3, and a number of conspicuous events happen on that date, for example, the NYC Blackouts, 42 years apart to the day, or the mysterious deaths of several 33-year old celebrities on that date.

The usage of 19 in the Metascript connects to the Great Reset:

  • Pearl Harbor was “Operation AI” or 19
  • 9/11 had 19 Hijackers
  • Covid19 19 years later
  • Covid19 was preceded by C19 the comet, or C/2019 Y4 (ATLAS).
  • Kubrick’s movie AI was released in 2001.
  • The World Economic Forum launched the (GAIAA) Global AI Action Alliance as part of the Great Reset.

And if you follow this channel, you know, the symbolism they use always correlates the Phoenix with the number 33. Dark Phoenix, the movie, was said to have “bombed” its opening weekend, bringing in $33 million. Phoenix, Arizona, is on the 33rd parallel. 

And the Twin Tower’s construction started in 1968, meaning that they were a set of 33-year-old twins that burned. 

The film The Shining further cements the role of Kubrick’s film in communicating the meta-story of the fall of today’s Tower of Babel.

Second, the solar arrays of the International Space Station are architecturally congruent with the visual appearance of the Twin Towers. The connection is further made with the 88 spotlights creating the Tribute in Light.”

Finally, we have the Tower of Babel symbolism inherent in the One World Trade Center. The largest cathedral in the world, the Cathedral of Saint John, The Divine’s carvings are all based on the book of Revelations. 

On Amsterdam Avenue in Manhattan, on the exterior stonework of the cathedral, you can see the end of days carved into stone, and it has the Twin Towers toppling. This is intended to show New York as Babylon, falling. The art was completed more than a decade before the September 11, 2001 event. 

From this, we can deduce that New York City has been cast on the world stage for this present age as “Babylon, The Great,” as mentioned in the Book of Revelations, the city that suffers destruction at the hands of God:

 ‘Fallen, fallen is Babylon the great!’ Powerful Babylon has fallen and is now the home of demons. It is the den of every filthy spirit and of all unclean birds, and every dirty and hated animal (Rev. 18:2).”

So this is where I link the One World Trade Center as a uniting tower of Babylon, contiguous with the International Space Station. They are linked in the Metascripted narrative just as they are linked architecturally. Here is how I expect it to play out:

It is international: it unites all of the world in one common mission with a uniting language: the Internet.

That mission is to go from the Earth to the heavens, which was against God’s plan, according to the Old Testament:

Genesis 11:9, KJV: “Therefore is the name of it called Babel; because the LORD did there confound the language of all the earth: and from thence did the LORD scatter them abroad upon the face of all the earth.”

The number sequence 119  is significant in the context of the Metascript and there are a few examples of popular movies referencing this number in relation to things falling from the sky. For instance, another film that indicates the direction the Metascripted future is headed is Donnie Darko, which was released 1/19/01. 

Donnie DarkO has 9/11 connections, which connects to 2001: A Space Odyssey and, therefore, the International Space Station. The film also had some curious connections to the falling plane parts in Colorado in February of 2021. These connections included “Elmwood” street, calling to mind Nightmare on Elm Street, a movie about lucid dreamers, but instead of an Alice in Wonderland-like bunny figure, as with Donnie DarkO’s “Franky,” the nightmare world in that series has a tarrifying and demonic “Freddie.” 

Around the time of this and other incidents of plane parts suddenly falling from the sky, the NBC television show called Debris was being debuted. It, like the movie Don’t Look Up being advertised at the same time, dealt with this same theme of things falling, or judgement from the sky.

So back to the Tower of Babel and the International Space Station: it represents mankind aligned in a mission against God’s plan. 9/11/01 was God’s rejection of man’s ambitions. The falling process has already begun. It started on 9/11/01, the tenth anniversary of the speech delivered by George H.W. Bush in which he said, “Out of these troubled times, our fifth objective — a new world order — can emerge: a new era….”

They are predicting chaos and then order, destruction, then creation.

Thirteen is the number of death and resurrection, endings and beginnings. Think of how one year ends, that Sun dies, and the new year begins on the 13th month in the sequence. So 13 is also 1, or the new beginning. 

13 years after 9/11/01, the One World Trade Center opened. Its doors opened on 11/3/2014. 

November 3rd is a significant day in the Metascript and often ties into the symbol of the phoenix, which reiterates the theme of dying and resurrecting, or “re-setting” civilization into a new world order. Again, 11/3 and 9/11 are two dates that pertain to this process.


I suspect space travel is, in fact a cover for ancient Babylon Mystery Religion with a scientific facade; that the parallels between ancient Babylonian rituals and those found in the Roman Catholic Church are the same ones to be found within the space program.

A sex-magick cult at the heart of the Jet Propulsion Laboratory was the alembic from which Scientology and modern rocket science emerged. NASA, in fact, has more in common with Scientology than not. Both are space religions based upon ancient phallic sun god worship and sex-magick. 

Scientology is a tax-exempt space religion,whereas NASA fakes space exploration and leeches off the taxpayers who fund their own brainwashing. 

The so-called “wickedest man in the world,” Aleister Crowley, was the source for the sex magick rituals performed by Jack Parsons and L. Ron Hubbard as they were practicing his form of “Thelemic” magick. 

It involved worshipping obelisks and praising priapic or phallic fertility gods. The rocket scientist would read The Hymn to Pan, by Aleister Crowley while performing “scientific” rocket launches:

“I am Pan! Io Pan! Io Pan Pan! Pan!

I am thy mate, I am thy man,

Goat of thy flock, I am gold, I am god,

Flesh to thy bone, flower to thy rod.”

Heliocentrism, Climate Chaos, Pandemics, Global Warming, Evolution, and the entire canon of narratives fed to us by the priests of Scientism constitute a religious paradigm. 

Like all religious systems, this one has an esoteric as well as exoteric aspect. The public sees a rocket going into space but the occultists see the phallus of dead Osiris merging with sky-goddess Isis in order to bring forth a new sun. 

SpaceX is a barely occulted reference to “space sex”.  

I suspect too that rockets are actually blimps with Jet Assisted Take Off, the technology perfected by Jack Parsons. 

Leave a Reply

%d bloggers like this: